Writing about contemporary art

I have a book of Gilda Williams’ (correspondent for Artforum and lecturer at Goldsmiths College and Sotheby’s Institute of Art) called “How to write about contemporary art”.

I bought this during my art days before my umpteenth career change, but have rediscovered its relevance to my career now, not just in my writing, but in HR as well.

It promises (and delivers) a helpful, no-nonsense approach to structuring written pieces, avoiding common pitfalls, developing concrete research and close thinking, and positioning language effectively. It’s incredibly helpful for those who need to articulate their internal chatter concisely and accurately, and generally be a better communicator.

It never ceases to surprise me how often skills and supposedly-niche advice can transfer into other sectors, other roles, and complementing other skills.

Thinking back to your previous careers or fields, do you still find relevance for ‘specialist’ guidance?